More akin to that of an interloper, essay on Sophie Hayes’ Storage, Document and Location, September 2020 


‘Art and Place’ Art Monthly No 439, 2020. Available here.


Writing Surfaces: Lizzie Lloyd on Siri Hustvedt, in Salon for a Speculative Future, Monika Oechsler and Sharon Kivland eds., (Ma Bibliothèque, 2020). Available here


Drawing like a Painter, commissioned to accompany Hannah Murgatroyd’s Bucolica, at von Goetz gallery, May 2019. Published by Garageland magazine online.


To us for the filling, commissed as part of Katie Paterson’s UK wide artwork, First There is a Mountain, May 2019 


Reflection on I felt like the sound of a harp solo exhibition of Laura Phillips at Plymouth College of Art May 2018


Reflection on Meditations in an Emergency solo exhibition of Simon Bayliss at Plymouth College of Art, May 2018. Published on Art Cornwall


Writing an insecure form essay accompanying Ben Owen’s Cubbitt Gallery Residency final exhibition Going along without a body, March 2018


A Word of Warning essay accompanying Rosie King’s A Word of Warning for Gone (Preserve Us), Plymouth Art Weekender, Sept 2017


We the People are the Work – Essays on Matt Stokes, Ciara Phillips, Antonio Vega Macotela & Eduardo Thomas, Peter Liversidge, Claire Fontaine. Curated by Simon Morrissey, director of Foreground, September 2017


Conversations with Tim Knowles, essay to accompany Tim Knowles solo exhibition The Dynamics of Drifting,  Hestercombe Gallery, June 2017


BRISTOL, Peter von Kant Gallery, May 2017. Available here


Enduring but in Cinders essay accompanying In and Out of Sight, Catherine Bertola, Cath Campbell, Jo Coupe, Jen Douglas, UH gallery University of Hertfordshire, May 2017


Stephen Smith, Shifting Ground’ Hestercombe gallery, October 2016


Remains, Mark Murphy and John Bennett, Sept 2016. Available to buy here


Terrain: Land into Art,  catalogue essay to accompany group exhibition of work by Peter Doig, Gary Hume, Vicken Parsons, Kathy Prendergast, Gillian Carnegie, Nerys Johnson, Richard Long, Roger Ackling, Simon Faithfull, Tim Knowles, Rachel Lowe, Emma Kay, Kabir Hussain, John Stezaker, Raphael Hefti.Hestercombe Gallery, March 2016


HOUSEWORK, Safehouse1 gallery, London, Nov 2015. Publishe on The Learned Pig


Wound and Stretched, text to accompany Knots and Nets by Nancy Clemance, Bridport Museum, January 2015


Shooting from the Hip, Centrespace, Sept 2014


Rachel Busby & David Webb: On Form, accompanying Hinterland, Exeter Phoenix, June 2014


The Substance of Shadows: Prints, Shadows and Memory, Exhibiition curated by me with an essay in the accompanying catalogue, University of Bristol, 2009