‘Feeling our way; holding you here’ essay for Niamh O’Malley: Gather, Temple Bar Gallery and Studios / Ireland in Venice, 2022 available to buy here.
‘Existing in our bodies in the world’ essay to accompany 'La Chute’, Fassiaty Video Fund, Paris 2021
‘In Retrospect’ essay to accompany Kate Belton’s solo exhibition at New Art Projects, 2021
‘To Look, but more than that, to see’ essay to accompany Laura Lancaster’s solo exhibition at Workplace Gallery ‘Closer and Further Away’, 2021
‘A body, in parts, interjects’ on the work of Melanie Stidolph, part of Synaesthesia /Cultivator / University of Plymouth, 2021
‘Surfacing’ on the work of Dean Knight, part of Synaesthesia /Cultivator / University of Plymouth, 2021
More akin to that of an interloper, essay on Sophie Hayes’ Storage, Document and Location, 2020
Unearthing Wonder, essay on Amalia Pica’s ‘Micoscopic Park Life’, Fieldart Projects, 2021
‘Art and Place’ Art Monthly No 439, 2020. Available here.
Writing Surfaces: Lizzie Lloyd on Siri Hustvedt, in Salon for a Speculative Future, Monika Oechsler and Sharon Kivland eds., (Ma Bibliothèque, 2020). Available here.
Drawing like a Painter, commissioned to accompany Hannah Murgatroyd’s Bucolica, at von Goetz gallery, 2019. Published by Garageland magazine online.
To us for the filling, commissed as part of Katie Paterson’s UK wide artwork, First There is a Mountain, May 2019
Reflection on I felt like the sound of a harp solo exhibition of Laura Phillips at Plymouth College of Art May 2018
Reflection on Meditations in an Emergency solo exhibition of Simon Bayliss at Plymouth College of Art, May 2018. Published on Art Cornwall.
Writing an insecure form essay accompanying Ben Owen’s Cubbitt Gallery Residency final exhibition Going along without a body, March 2018
A Word of Warning essay accompanying Rosie King’s A Word of Warning for Gone (Preserve Us), Plymouth Art Weekender, Sept 2017
We the People are the Work – Essays on Matt Stokes, Ciara Phillips, Antonio Vega Macotela & Eduardo Thomas, Peter Liversidge, Claire Fontaine. Curated by Simon Morrissey, director of Foreground, September 2017
Conversations with Tim Knowles, essay to accompany Tim Knowles solo exhibition The Dynamics of Drifting, Hestercombe Gallery, June 2017
BRISTOL, Peter von Kant Gallery, May 2017. Available here.
Enduring but in Cinders essay accompanying In and Out of Sight, Catherine Bertola, Cath Campbell, Jo Coupe, Jen Douglas, UH gallery University of Hertfordshire, May 2017
Stephen Smith, Shifting Ground’ Hestercombe gallery, October 2016
Remains, Mark Murphy and John Bennett, Sept 2016. Available to buy here
Terrain: Land into Art, catalogue essay to accompany group exhibition of work by Peter Doig, Gary Hume, Vicken Parsons, Kathy Prendergast, Gillian Carnegie, Nerys Johnson, Richard Long, Roger Ackling, Simon Faithfull, Tim Knowles, Rachel Lowe, Emma Kay, Kabir Hussain, John Stezaker, Raphael Hefti.Hestercombe Gallery, March 2016
HOUSEWORK, Safehouse1 gallery, London, Nov 2015. Publishe on The Learned Pig
Wound and Stretched, text to accompany Knots and Nets by Nancy Clemance, Bridport Museum, January 2015
Shooting from the Hip, Centrespace, Sept 2014
Rachel Busby & David Webb: On Form, accompanying Hinterland, Exeter Phoenix, June 2014
The Substance of Shadows: Prints, Shadows and Memory, Exhibiition curated by me with an essay in the accompanying catalogue, University of Bristol, 2009
‘Existing in our bodies in the world’ essay to accompany 'La Chute’, Fassiaty Video Fund, Paris 2021
‘In Retrospect’ essay to accompany Kate Belton’s solo exhibition at New Art Projects, 2021
‘To Look, but more than that, to see’ essay to accompany Laura Lancaster’s solo exhibition at Workplace Gallery ‘Closer and Further Away’, 2021
‘A body, in parts, interjects’ on the work of Melanie Stidolph, part of Synaesthesia /Cultivator / University of Plymouth, 2021
‘Surfacing’ on the work of Dean Knight, part of Synaesthesia /Cultivator / University of Plymouth, 2021
More akin to that of an interloper, essay on Sophie Hayes’ Storage, Document and Location, 2020
Unearthing Wonder, essay on Amalia Pica’s ‘Micoscopic Park Life’, Fieldart Projects, 2021
‘Art and Place’ Art Monthly No 439, 2020. Available here.
Writing Surfaces: Lizzie Lloyd on Siri Hustvedt, in Salon for a Speculative Future, Monika Oechsler and Sharon Kivland eds., (Ma Bibliothèque, 2020). Available here.
Drawing like a Painter, commissioned to accompany Hannah Murgatroyd’s Bucolica, at von Goetz gallery, 2019. Published by Garageland magazine online.
To us for the filling, commissed as part of Katie Paterson’s UK wide artwork, First There is a Mountain, May 2019
Reflection on I felt like the sound of a harp solo exhibition of Laura Phillips at Plymouth College of Art May 2018
Reflection on Meditations in an Emergency solo exhibition of Simon Bayliss at Plymouth College of Art, May 2018. Published on Art Cornwall.
Writing an insecure form essay accompanying Ben Owen’s Cubbitt Gallery Residency final exhibition Going along without a body, March 2018
A Word of Warning essay accompanying Rosie King’s A Word of Warning for Gone (Preserve Us), Plymouth Art Weekender, Sept 2017
We the People are the Work – Essays on Matt Stokes, Ciara Phillips, Antonio Vega Macotela & Eduardo Thomas, Peter Liversidge, Claire Fontaine. Curated by Simon Morrissey, director of Foreground, September 2017
Conversations with Tim Knowles, essay to accompany Tim Knowles solo exhibition The Dynamics of Drifting, Hestercombe Gallery, June 2017
BRISTOL, Peter von Kant Gallery, May 2017. Available here.
Enduring but in Cinders essay accompanying In and Out of Sight, Catherine Bertola, Cath Campbell, Jo Coupe, Jen Douglas, UH gallery University of Hertfordshire, May 2017
Stephen Smith, Shifting Ground’ Hestercombe gallery, October 2016
Remains, Mark Murphy and John Bennett, Sept 2016. Available to buy here
Terrain: Land into Art, catalogue essay to accompany group exhibition of work by Peter Doig, Gary Hume, Vicken Parsons, Kathy Prendergast, Gillian Carnegie, Nerys Johnson, Richard Long, Roger Ackling, Simon Faithfull, Tim Knowles, Rachel Lowe, Emma Kay, Kabir Hussain, John Stezaker, Raphael Hefti.Hestercombe Gallery, March 2016
HOUSEWORK, Safehouse1 gallery, London, Nov 2015. Publishe on The Learned Pig
Wound and Stretched, text to accompany Knots and Nets by Nancy Clemance, Bridport Museum, January 2015
Shooting from the Hip, Centrespace, Sept 2014
Rachel Busby & David Webb: On Form, accompanying Hinterland, Exeter Phoenix, June 2014
The Substance of Shadows: Prints, Shadows and Memory, Exhibiition curated by me with an essay in the accompanying catalogue, University of Bristol, 2009